Taekwondo (2016) is an Argentinian drama directed by Marco Berger and Martรญn Farina. The film is a slow-burning exploration of male friendship, desire, and unspoken emotions, set against the backdrop of a summer getaway. Known for its subtle storytelling and focus on naturalistic dialogue and character interactions, Taekwondo offers an intimate look at relationships, masculinity, and the tension between camaraderie and attraction.
The story takes place in a relaxed summer house in the suburbs of Buenos Aires, where a group of friends gathers for a few days of sun, food, and leisure. Germรกn (Gabriel Epstein), an outsider to the group, is invited by Fernando (Lucas Papa) to join the vacation. Germรกn is openly gay, though this is unknown to the rest of the group, and he harbors a quiet attraction to Fernando.
As the group indulges in carefree activitiesโplaying games, lounging by the pool, and engaging in casual banterโGermรกn becomes increasingly attuned to the dynamics of masculinity and camaraderie within the group. Meanwhile, Fernandoโs behavior toward Germรกn oscillates between platonic warmth and moments that suggest a deeper, perhaps mutual, interest.
The film unfolds through a series of seemingly mundane interactions that are laden with subtext. Germรกn struggles to discern whether Fernando shares his feelings or if the gestures of affection are simply part of the groupโs casual and physical dynamic. The tension builds as the days pass, with Germรกn and Fernando inching closer to a potential revelation.
Taekwondo was well-received by critics and audiences for its authentic portrayal of male friendship and desire. It was praised for its nuanced storytelling, natural performances, and exploration of themes often overlooked in mainstream cinema.